Over the last few days, I have started reviewing some of my early works taken with my old Canon Powershot A20. This model only had 2 mega pixels, but it did deliver some great shots. My review was inspired by my recent railroad readings and reviewing works by other fellow rail photographers especially Scott Lothes. I mention Scott Lothes because of his speech “Great Writers Lessons for Railroad Photographers”. I’m finding my writing is straining to convey a story, but my photography skills are improving. I’m traveling to places I have been many times with hopes to understanding my scenes better. Anyone can take a picture, but I wish to take meaningful pictures that include more than just a train. Most of my shots are taken in an urban environment. Most rail photographers try to stay away from urban areas for safety reasons. These places are not in the best of shape or the prettiest, but one could still convey a story from these scenes. If it was not for my grandmother’s Ambler street home being located next to Conrails’s Shortline route, I would have little to no exposure to trains. This is my way of paying homage and sharing the story of trains and the folks who reside by the tracks.
Below is a photo I snapped on 1-7-2003 at Cleveland’s Amtrak station of train number 43 conductors walking back to their train. The Pennsylvanian was a “junk” train when it ran between Chicago and New York City. It usually had two units, three coaches, 1 cafĂ©/coach and 20 roadrailers. This train was usually ahead of schedule that allowed an abundance of time to photograph it sitting in the station. On this day, 43 had plenty of time to kill. The assistant conductor and conductor would go into the station and talk with the station agent while the few passengers aboard who smoked enjoyed several cigarettes and the remaining passengers looked at the Rock and Roll Hall of Fame from the platform. Those days are now over with since the Pennsylvanian now starts and ends in Pittsburgh.
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